Posts Tagged Science Fiction and Fantasy

Sick Blogger: Sneezes Linkspam All Over the Place

8 January 2010
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A chimpanzee brain at the Science Museum London
Image via Wikipedia

When it took me three tries to type the word “seven” this morning in an item for work, I came to the conclusion that a real blog post probably isn’t happening today, as my brain seems to moving at about the pace of really cold molasses.

So, you get linkspam of the funny, thought provoking, or just general mind-boggling things I’ve come across this week:

That’s it for now. I’m working on putting together the website for my pending webserial, and am planning to release the first entry next Wednesday.

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Pondering New Projects

A new year always makes me think about what I want to get accomplished in the coming months. This blog was one of those projects last year. This year, I’m considering starting a webserial.

I’m feeling so inspired by fellow writers such as Heidi Cautrell, Nancy Brauer, Vanessa Brooks, and others who are offering excellent, original, serialized webfiction all over the place these days.

I’m still sorting through a handful of ideas and haven’t finalized anything yet, but my fiction tends to be somewhere between sci-fi and fantasy, not just one or the other.  I tend to subscribe to Arthur C. Clarke‘s idea that “Any sufficiently advanced technology is indistinguishable from magic” and a lot of what I write tends to have an element of that philosophy within it.

I’m probably looking at posting once a week, perhaps more as I’ve got the time, but once a week will be my goal.  I am hoping to have the website, introduction, and first “chapter” up by sometime next week. (That is, if I can choose between the three ideas I’m batting around.)

I will, of course, need some handy volunteers as beta readers and critics, and I’m certainly happy to return the favor.

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Review: Repo the Genetic Opera

10 August 2009
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Repo! The Genetic Opera
Image via Wikipedia

The goal that the producers of Repo the Genetic Opera claim to have is to create a new rock opera cult hit on the order of Rocky Horror Picture Show.

As far as creating a rock opera masterpiece, they were absolutely successful.  The music blew me away, and considering the number of wonderful musical artists involved, I really shouldn’t be surprised.

The story and setting itself is an interesting mix of dystopian post-apocalyptic horror and science fiction that, in light of the current controversy over health-care and the business end of it, actually provides a great deal of food for thought.  I’m not sure the writers realized, upon setting on the idea, just how much it would fit the feel of the current times.

As horrific as the basic premise of the movie is, it doesn’t seem all that far-fetched, these days.

Anthony Head is phenomenal in his dual, almost bipolar, role as both the unassuming doctor Nathan and the sinister, murderous “Legal Assassin” Repo Man.  His voice, expressions, and entire demeanor and way of moving change, sometimes from line to line, according to which character he’s channelling.  Even Paris Hilton surprised me at how well she portrayed the rather fitting role of an heiress addicted to plastic surgery (and the pain medication to facilitate it).
This is a wonderful rock opera (and operatic it is, complete with its three acts), but I’m not sure how well or how successfully it will compete with RHPS.  I don’t see the same potential for audience participation or even shadow cast adaptation (as there has been for Dr. Horrible and even “Once More with Feeling” – the BtVS musical episode).  I just do not see people getting up in the aisles and dancing at showings, or shouting call-backs to the screen (and shadow-cast).  There doesn’t seem to be anything like the same potential for that sort of involvement from the audience with this movie, and audience participation is one of the things that makes RHPS so wonderfully fun, and a classic cult hit that endures more than thirty years after its making.
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Review: Star Trek!

The review in a single short burst:  Star Trek was Awesome. <Insert Geeky Fangirl Squee Here>

Spoiler Free Review:

We had here a new cast, playing old and very beloved characters. There were some very large, difficult shoes for them to fill and it would be extremely difficult to do so without making a parody of them, particularly the more, erm, unique qualities of, say, Bill Shatner.

So the new cast/writers/etc. had a lot to live up to.  I don’t exaggerate when I say that they did so in an absolutely phenomenal fashion.  Zachary Quinto and Karl Urban were, in particular, absolutely spot on as Spock and Bones, about as perfectly played as anyone could have asked for.  McCoy was appropriately grumpy and complaining about something every time you saw him.

Spock was as you would expect a very young Spock to be – still fighting the conflict between his human and vulcan self.  I particularly appreciated this treatment of the character, watching how he became what he became later on where he had resolved his two halves.  Quinto simply could not have done a better job even if he had been Nimoy himself.

There were plenty of nods to the originals that only a fan would notice, and those done with a respect for what had come before.

The real test of it was that it felt like the original Star Trek’s felt.  Not with sad nostalgia (a la Indy IV) or with some sort of vague imitation.  It felt like Star Trek, not something trying to pretend to be Star Trek.  Not only that…it felt like one of the best of the movies with the original cast. Wrath of Khan quality.

Even the most devoted Trekkie shouldn’t be disappointed with this movie.

And now come the Spoilers:

This is a complete reboot of the series, complete with alternate timeline.  I’m not quite sure how I feel about that, though I realize that this allows them the opportunity of creating sequels without worrying about stepping on the toes of the movies and shows that have come before.  Since it is an alternate timeline, the stuff that happened before has no relation to this timeline.

However…it rather means that the stuff that happened before, on the original timeline…didn’t happen, and likely will not. I think that this is where my uneasiness about it comes in.

Time travel stuff always gets a little wonky.  However, it didn’t seem like they were using it as a crutch here, it made sense and fit well into the universe they were creating. This isn’t the first time Star Trek’s gone time travelling, after all.

The sets were wonderful. The Enterprise actually looked like a battle-ready ship rather than a cruise liner, complete with independently firing gun turrets and defenses.  She was beautiful, as Scotty would proudly proclaim. His engine room, too, was huge – exactly the sort of scope you’d expect on a ship that size.  And that’s exactly the feeling you got from it – that feeling of size and scope, that this wasn’t a dinky little boat they were flying about in but an enormous fighting vessel.

You really could not have asked for a better cast of characters to replace the ones that had come before. They do a wonderful job and honor the people that had played these characters previously without making a parody of them.  No, Kirk doesn’t have his …. familiar …. and …. infamous …. Shatner-speak, but he is most undoubtedly James T. Kirk with all of his reckless rulebreaking and lack of respect for authority.  Though not as perfect in character as Quinto and Urban were, Chris Pine did a wonderful job in the role.

And yes, I’d use the word perfect for Quinto’s Spock, particularly.  He was, without any doubt whatsoever…Spock. Young and unsure and emotionally conflicted, yes, but Spock nonetheless. It would have been unrealistic to expect a Spock that young to have fully resolved his human and vulcan sides, to not be fighting his emotions.

That conflict is the real story of the movie.  Nero and his vendetta provide a vehicle, a villain to fight against, but it is Spock fighting with himself, and how his friendship develops with Kirk, that becomes the central plot.

It would be a lie to say that I didn’t get a little misty-eyed when Spock (Prime) reached out to Kirk and said, “I am, and always will be, your friend.”

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SciFi now SyFy? Wy?

17 March 2009
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The SciFi channel is changing its name to SyFy…When I first saw this I immediately thought of all of those signs saying “Drive-thru” instead of “Drive-Through” because it costs too much to pay for the extra letters. At least those signs have a slightly reasonable purpose behind their dumbing-down and destruction of the English Language, so I wondered what could possibly be the reasoning behind SciFi’s change? They’re not exactly charged by the letter, and it’s not that much shorter.

Turns out…they’re trying to make the channel sound more “human.”

Er…what? First of all, this is an insult to the intelligence of their viewer: They can’t understand what SciFi means, so we’ll spell it phonetically!

Second of all…SciFi is inhuman? Does this make the people that enjoy it similarly inhuman? This is almost as bad as that stereotype that all geeks are pimply-faced 40 year old unwashed men living in their mother’s basement.

It’s just another blow to a channel that has, more and more, provided nothing but crappy worse-than-B-grade TV movies, wrestling, and…er…more wrestling, often alienating the core audience that the channel was originally conceived for.  The one good thing remaining on it is Battlestar Gallactica and…it’s in its final season. When that’s gone, what reason will any good “SyFyloving geek have to return to the channel that has nothing for them?

None. It might as well change its name completely and become “Spike 2, even more Stuff For People with IQs of a smashed turnip.” Just as how the music disappeared from MTV, the SciFi is disappearing from…SyFy.

They’re not just losing their core demographic, they’re driving us away. SciFi was created for people who by and large want intelligent content rather than mind-numbing idiocy. We want quality. What’s so bad about being TV for Smart People?

I’m with Wil Wheaton on this. “SyFy? Fyck You.”  I’ll be watching Discovery or, you know, anything that’s been cancelled by Fox.

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Review: Watchmen

11 March 2009
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Image via Wikipedia

When I heard that there would be a movie version of Watchmen, I have to admit that the first thing that popped into my head was “Oh no.”

You see, I have loved this comic for years, studied it academically. This is the first comic that was written with an adult audience in mind, the first one to dare to be politically relevant beyond the usual anti-whatever-we’re-fighting propaganda that was common in earlier superhero comics.

No…Watchmen had a point, a very good point concerning current politics of the world it was written in and it drove that point home in the most brutal and graphic manner it possibly could.

It went like this: The world is full of crap. Even if superheroes did exist, they’d probably just make the world even crappier, or fail to shovel the crap completely. They’d be impotent, or insane, or completely and utterly alienated from the human race, but they would not be the answer to all of our problems and would probably just cause other problems.

Quite frankly, hearing that there would be a movie version worried me because of the intelligence with which Watchmen was written, and the typical makeup of the average action movie audience.  They would have to dumb it down, I thought. It was written in the Cold War, and I worried that they would have to modernize it just to allow modern audiences to understand it – there are some remarkable similarities to the life with the constant bombardment of terrorism news.  Plus, there is a lot of nudity. Male nudity, and everyone knows that old double standard: It’s okay to show naked women all over a Hollywood movie, but naked men are verboten.

There was also the possibility that they might alter it completely to make it fit into a PG-13 rating, to take advantage of the usual superhero movie demographic.

I very nearly didn’t go see it at all because of my admiration for Alan Moore, and I knew of his distaste for the way Hollywood tends to mis-represent or mis-translate graphic novels to the screen, and have never liked the way that comic publishers can remove a writer’s creative rights to how his work is used.

So, it took some time for me to convince myself to actually go see this movie. I expected to be disappointed, and love the comic so much that I didn’t want to go see the movie if it was going to be as bad as…well…it could have been. (Movie spoilers ahead)

Disappointing, this movie was not.  They cut a lot.  They had to.  It was already a 3 hour movie, and if they’d kept everything they cut it would’ve easily made 6 or even 8 hours of film time.  Some of what they cut was some of my favorite parts, some of what makes the novel special, particularly the bits with the “normal people” going about their daily lives.  The newspaper dealer and the kid that sits at his stand reading comics, the homelife of Rorschach’s psychiatrist, etc.

So yes, they cut a great deal. What was not cut, however, was wonderfully well done. The frames of the comic came to life on the screen, the particularly memorable scenes almost perfectly posed to match the artwork. They didn’t dumb it down. They didn’t sugar-coat the violence or turn Dr. Manhattan into a funny-looking blue Ken Doll. The point of the novel remains intact in the film, though I still am not certain that all of the audience will fully understand.

All in all, I was very pleased with the movie.  The acting from some angles was a little wooden at times, but mostly it was very good and very true to the book.  Rorshach was absolutely phenomenal.

So if you’re like me and a great lover of the comic, afraid to go see the movie because you might be disappointed…You won’t be. Go see it, it’s definitely worth it.

One Note, however: This is not a movie to take your kids to, people! Pay attention to that R rating on it and don’t get annoyed when you have to take your 7 year old out of the theatre because of the amount of Dangly Blue Wang the kid might see plastered over the screen.  Yes, it’s a superhero comic movie and advertised as such…but the rating is up there on the poster too. It’s your own fault if you decided not to pay attention.

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Post DragonCon Synopsis

1 September 2008
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Overall General Synopsis: DragonCon is FUN, FUN, FUN! Did you expect anything else? Come, you’ll see. DragonCon never fails to impress me at how well-run it is, considering that most of the staff are volunteers, and how well mannered, accepting, and polite everyone is. There are lines. There are always lines. There are crowds, and sometimes it’s hard to just get a bite to eat for all the people, but you can meet some really nice people in those lines and as long as everyone’s being nice to each other, it doesn’t seem to matter how long the queue is for an event.

Day One, Friday:
Jokers Spotted: At least 10
Jokers in Nurse’s Costume: 3-4, mostly girls
Creepily real, male, in-character Joker in Nurse’s costume with detonator: 1
Batmen: 1
….Things aren’t looking good for the Bat. He’s outnumbered.

4:00 PM: We went to the Battlestar Gallactica panel. Almost the whole crew was there, and though I’ve never seen the show, I had a lot of fun. Edward James Olmos, in particular, was hilarious. It was really nice to see the comraderie of the cast toward each other.

7:00 PM: Dr. Horrible’s Sing Along Blog Of course, I cheered like the Joss Whedon fangirl I am, and sang along with more than 500 other folks to every song in the show. The shadow-cast did really well. The picture cut out a couple of times, but they got it fixed quickly enough, and the shadow-cast kept the show going perfectly.

10:00: The Brobdingnagian Bards Concert: There was a little confusion as they weren’t actually listed on the schedule, but we made it only a few minutes late. I love these guys. I have pretty much all of their cds and am an avid listener to their podcast. They never fail to make me laugh, and they wear kilts. There is no bad in this.

11:30: Abney Park Concert: The first not-so-great thing at DragonCon…the sound system simply wasn’t equipped to handle them, and there was so much reverb that it was difficult to make out the music. I’ve loved everything that I’ve heard of theirs, it’s a pity that, at least where I was seated in the audience, I couldn’t hear what they were playing and pretty much just got…indistinguishable white noise.

Day Two, Saturday:

10:00: The Parade, started with bagpipes and men in kilts. This, I think, is a good start for anything. Batman appears to have gotten reinforcements, there’s three of them now, as well as Robin, and Adam West in the Batmobile. He’s flanked by superheroes of both the DC and Marvel universes. The Jokers better watch out! Unfortunately, the parade was the place where we encountered our first (and only!) rude person of the Con. In a convention that has always amazed me by the courtesy of the people who attend it, her behavior rather stood out in comparison. Nonetheless, we found a good spot on the corner and got some good pictures, and I think the parade caught some Geek converts – a badgeless little girl who was Ooohing and Aaahing over the costumes, particularly the Star Wars people.

2:30: Living in Smallville – Michael Rosenbaum was absolutely hilarious. He didn’t really want to talk much about Smallville, he was more interested in discussing his newer projects, and he was a bit dismayed by people who insisted on calling him Lex, but he was extremely appreciative of the fans and played along with them to great effect. He even got down in the audience (much to the chagrin of the DC*TV folks who had to shoot him in the dark). The highlight, I think, was the fellow dressed as Zod in a handmade coat, who asked Mr. Rosenbaum to repeat his line: KNEEL BEFORE ZOD! – said line became a running joke throughout the whole panel.

THEN WE WENT SHOPPING. I got a corset from the wonderful folks at Brute Force Leather. They had some nice steampunky looking corsets, goggles, weapons, gears…. I’m not really into the goth stuff right now (I have been before!) so I get tired of corsetiers who come to cons with nothing but black…black….black….and the occasional blood red with black accents. Sometimes you want variety, you know? The Brute Force folks had some absolutely phenomenal fabrics I didn’t see anywhere else during the whole con. Maps, clocks, parchment, playing cards. I ended up settling on a canvas map fabric that had black lining.

Dinner: On my mom’s recommendation, we tried Daily’s, but, unfortunately, weren’t that impressed. The desert bar was something to see, though, and the key lime mousse we got for desert was phenomenal, but the actual entrees didn’t seem to be as good as you would expect for the price. Compared to similar higher-priced eating places we’re familiar with, the food just wasn’t as good.

10:00 The Shindig: I was rather shocked to arrive and find that I was the only person in the Giant Pink Fluffy Thing. There were tons of other Casual Kaylees there, and tons of pictures were taken, which I never, ever expected. I’m usually the one behind the camera, not in front of it. It was a wonderful party, but we ended up leaving fairly early in an attempt to get to the Vaudeville/Burlesque show. Unfortunately, we fell into the trap of Trying to Do Too Much At Con, and by the time we got changed into an outfit I could actually sit down in and got down to the show, it was full and had been closed. Probably would’ve been better to just stay at the Shindig, but by that point my feet were two giant pain-generating devices and we decided to head back to the hotel to rest up. Along the way, we ended up walking to our hotel beside James Callis, Edward James Olmos, and Michael Hogan…and despite me poking him discreetly in the side for several minutes, the SO didn’t even notice that he was standing shoulder-to-shoulder with the people he idolizes. Meanwhile, it was all I could do to “act cool” and not go rabid fangirl, no matter how much my feet hurt.

Turns out they all were headed to the Colonial Fleet party, where they…partied with their fans. How awesome is that?

Day Three, Sunday:

11:00: Sean Astin, Remembering the Taste of Strawberries. This panel was, by far, the most touching of all of them. Of course, I have adored Sean Astin since I first watched Goonies as a child. He’s one of those actors that has managed to have the best of both worlds – a successful career in movies and a wonderful life at home. I honestly think he could have gone on the whole hour just talking about his kids, and I would have loved to hear it. He talked a great deal about his charity work and his upcoming projects, all of which I am extremely excited to see.

2:30: An Hour in the Firefly Verse: Nathan Fillion, Alan Tudyk, Morena Baccarin, and Jewel Staite were all there for this one. The main thing I can say about it is….Nathan Fillion is absolutely nuts. In a good way. He and Michael Rosenbaum should team up and be a comedy team, because they both had me absolutely rolling with la
ughter during their respective panels. The crew were still very much a crew up there, clearly fond of each other and happy to be where they were, and very appreciative of the fans, those Browncoats who became a true force to be reckoned with and still, to this day, work to get Firefly back on the air. Probably the highlight of this panel for the entire audience was when someone pointed out that since Firefly has been cancelled, Mal and Inara would never kiss…so they did, drawing it out with huge over-dramatic sighs for comedic effect.

For the rest of our time at DragonCon, we pretty much just relaxed and hung out, touring the art show and the Walk of Fame. It was an exhausting weekend, but well worth it, and we had a blast!

The Pictures:
(There are more, but these are a good sampling.)

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