On Dealing With Non-Writer Loved Ones
There’s this thing that happens to almost every writer I know.
It’s the inevitable confrontation with the person who thinks that writing should be an easy job or that you should get a different, better paying “real” job.
In my case, it’s my mom who calls with the prospective jobs and/or entrepreneurial opportunities that, if I actually took them, I would 1. End up broke and living off of her again; 2. End Up Miserable; 3. (likely as a result of #2) End Up Fired; or 4. End up locked in a rubber room somewhere because I don’t have time to write and writing keeps me sane.
I don’t resent this. My mom means well, and generally, she’s an awesome person and I wish I could be as awesome as she is. But see . . . I have this “making ends meet” day job that is awesome for several reasons, namely:
- My Boss Is Awesome.
- My Boss is willing to deal with my (often quite severe) social anxiety problems. Said social anxiety problems have been a significant handicap in other jobs in the past, and I don’t particularly want to give up a job where they are not an issue. Because when they are an issue, it tends to lead to a pink slip.
- As long as I get my work done, I am allowed to write in my spare time. Said writing occasionally leads to me making other money, doing the thing I consider my actual, you know, career.
The other person who will drive me crazy is my grandfather, who knows that I have a small handful of completed novels but can’t seem to understand why I’m not already raking in the big bucks.
“You’ve finished that novel? Why haven’t you made it into a book yet?”
I try to explain the process, that a completed novel doesn’t necessarily equate a novel ready for publication. The finished novel still must be polished. Then it must be sent to beta readers. Then it must be polished again, with a finer grain of sand, perhaps, like a rock in a polisher. Each time, it becomes shinier and more beautiful, but only once you’ve gotten it as shiny as you possibly can will you send it in to be set into a piece of jewelery.
And of course, at that point, it takes luck and perseverance. You have to find an agent willing to take you on. That agent then has to find you a publisher.
But it is not instant, or easy.
It’s not just writers that come across this. It seems to happen to all people who pursue a creative career, sometimes even after they have found success. I know at least one fairly successful artist friend who complains that her father is constantly after her to seek out a job designing art for advertisements. A “real” job.
Even those who are the most supportive of our creative careers can’t seem to wrap their mind around one particular thing:
Not Doing it is Not An Option.
I write because I can’t not write. When I’m not writing, I become even less functional as a human being, which speaking for my usual state of “functional” is really saying something. Writing quiets the little people who like to run around playing havoc in my brain so that I can concentrate a little better. Writing makes the faerie on my shoulder shut the hell up. Use whatever metaphor you want to use, but the simple fact of the matter is: I can’t not write if I want to continue to be. And writing fiction as a career is all I’ve ever wanted to do and all I will ever want to do.
Everything else is just a paycheck, and if the paycheck can come from a source that can understand or at least put up with my personal brand of insanity, then I’m sure as hell not going to give that blessing up.








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